Memoirs, edited by Steven Gould Axelrod and Grzegorz Kosc, is the tenth volume of writings by Robert Lowell released posthumously after his death in 1977. These publications include various works such as translations, collected prose, poems, selected poems, letters, and the original manuscript of The Dolphin, culminating in this collection of autobiographical pieces. Although some of the content overlaps across these volumes, Lowell was known for recycling and revising his work, transforming and republishing poems in different forms over the years.
Lowell’s approach of revisiting and reshaping his writings often blurred the distinction between prose and poetry. The compilation of his autobiographical reflections in Memoirs showcases recurring phrases and imagery found in his poems, reflecting a consistent artistic sensibility. His meticulous attention to detail and aspiration to write with the clarity and precision exemplified by Chekhov are evident in both his poetry and prose. The collection reveals Lowell’s adeptness at crafting vivid and atmospheric descriptions, although some pieces, like “I Take Thee Bob,” may come across as overly detailed or laden with unnecessary elements.
The autobiographical section of Memoirs delves into Lowell’s early years, highlighting his struggles to break free from the oppressive dynamics at home and establish his own identity. Through evocative poems like “Dunbarton” and “Grandparents,” Lowell vividly portrays the family tensions that shaped his upbringing. His recollections of moments from his childhood paint striking images that resist conventional interpretation, emphasizing the complex nature of his personal history. Subsequent sections of the collection explore Lowell’s experiences during manic episodes and his interactions with fellow poets, providing insights into his mental health challenges and artistic community.
Overall, Memoirs offers a rich tapestry of Lowell’s life and creative process, showcasing his talent for capturing poignant scenes and imbuing them with literary flair. While he may have abandoned the idea of a traditional autobiography, the fragments and essays compiled in this volume shed light on his personal struggles and artistic evolution. Axelrod and Kosc’s meticulous editing and curation of Lowell’s writings provide readers with a compelling insight into the mind of this influential poet.
